Kak?

Много се радвам на този похват - липса на конкретен сюжет, строго определен между границите на конкретни случки и техните последствия; а също и смесено с онова чувство, при което сякаш не ти се вярва, че е снимано и изиграно, а по-скоро всичко изглежда като истинско, част от реалния живот и настоящия момент, като репортаж, като..знам ли. =) Много обичам така.

"..The film never had an official script; only an outline of events that take place in the film, prepared by the director. Therefore, much of the acting in the film is improvisational.."

И сега вече това.. Това ми идва твърде много. Твърде странно, твърде реалистично и твърде откачено. Сякаш на границата между най-най-любимите ми филми и най-омразните. Едно знам със сигурност - животът ми няма да е същия след като изгледах това... :X:X

(Отново с Клоуи <3, от създателя на Kids <3)

Korine encouraged improvisation and spontaneity. To achieve this, Korine had to establish a mode of trust. "If an actor is a crack smoker, let him go out between takes, smoke crack, and then come back and throw his refrigerator out the window! Let people feel they can do whatever they want with no consequence." Producer Scott Macaulay commented the improvisational methods yielded deep results for everyone involved. "For a lot of the non-actors, you sensed that it was a very emotional experience for them, and that they were tapping into something important."Korine adds, "I wanted to show what it was like to sniff glue. I didn't want to judge anybody. This is why I have very little interest in working with actors. [Non-actors] can give you what an actor can never give you: pieces of themselves.”

Korine wanted each scene to be shot with different visual looks and styles. While many scenes are shot in traditional pre-planned 35mm, Korine handed out 8mm, 16mm, Polaroid, VHS and Hi-8 cameras to his crew, friends and family to achieve an enhanced collage-like style. "I wanted everything to feel that it was done for a reason. Like they shot it on video because they couldn't get it onto 35mm or they shot it on Polaroids because that was the only camera that was there... I felt like shooting each scene on its own terms and then making sense of it afterwards. And I felt that the styles would blend, that there would be a cohesiveness."

On the last day of shooting, Escoffier shot the chair-wrestling kitchen scene alone with a rigged boom on his camera. Some people had just gotten out of prison and Korine felt the performance would be greater if he wasn't in the room. The crew shut all the doors and turned off all the monitors, so no one knew what was going on. In between takes, Korine would run in and get everyone hyped up. At the end of the scene there is a moment of silence where no one knows what to do next. Korine comments, "When I saw that in the dailies, it amazed me, because Jean Yves really captured that awkwardness, that sad silence; it was beautiful."

Но ето КАК трябва да изглежда един истински хубав филм за мен - ТАКА! 

Има си всичко - и сюжет, и музика, и актьори, и игра и всичко. Fav!! =)